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Title details for Claude Debussy Piano Music 1888-1905 by Claude Debussy - Available

Claude Debussy Piano Music 1888-1905

by Claude Debussy
ebook
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This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
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Series: Dover Music for Piano Publisher: Dover Publications

Kindle Book

  • Release date: September 19, 2013

OverDrive Read

  • ISBN: 9780486311548
  • Release date: September 19, 2013

EPUB ebook

  • ISBN: 9780486311548
  • File size: 168832 KB
  • Release date: September 19, 2013

Formats

Kindle Book
OverDrive Read
EPUB ebook

subjects

Music Nonfiction

Languages

English

This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques (1888), it offers the Suite bergamasque (1890–1905), Réverie (1890), Danse (1890), Ballade (1890), Pour le piano (1896–1901), D'un cahier d'esquisses (1903), Extampes (1903), Mazurka (1891), Valse romantique (1890), Masques (1904), L'Isle joyeuse (1904), and the first series of Images (1905): Reflets dans l'eau, Hommage a Rameau, and Mouvement. In each case the music has been reproduced photographically from original or early editions.
This book has been designed to be used at the piano. Noteheads are large and clearly printed: margins and spaces are adequate for written notes, fingerings, and turnovers. It is also most useful, of course, for analysis or simply for listening along with the music.
Expand title description text
Music Nonfiction
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