Hostage

July 9, 2001
The title of Crais's fiery third thriller (after L.A. Requiem
and Demolition Angel) can refer not just to the two sets of innocents held at gunpoint in the story but to the reader, who will be wired tight to the book. The novel launches with a familiar (as familiar as Demolition Angel) premise: a soul-scarred cop—here, former L.A. SWAT hostage negotiator Jeff Talley, now chief of police of smalltown Bristo Bay, Calif.—plunges into an assignment that forces him to confront his demons. The devil clawing Talley's brain is the dying gaze of a young hostage he failed to save in L.A. Now three outlaws—two lowlife brothers and a homicidal maniac—have, after botching a robbery-homicide, taken refuge in a swank house in Bristo Bay. At their mercy are the family's dad, whom they've knocked unconscious, and his teen daughter and preteen son. The whopper of a complication is that the dad serves as bookkeeper for Sonny Benza, West Coast mob kingpin, and Benza will do whatever's necessary to retrieve the incriminatory records secreted in the house before the cops storm the place. The narrative ticks with suspense as Talley negotiates with the three outlaws, and as they and the kids they're holding respond with panic, fear and courage to the escalating tension. It snaps into overdrive as Benza and his goons snatch Talley's wife and daughter, holding them ransom for the records; the flow is marred only by a couple of cheap turns obviously devised for the silver screen. Thriller vets will have seen a lot of this before, but every virtuoso is allowed variations on a theme, and Crais, with his record and with the smart suspense offered here, has proven himself nothing less. (On-sale date: Aug. 7)Forecast:Crais sells more with each title, and this will prove no exception. A 15-city author tour will enhance his visibility, as will forthcoming film versions of
Demolition Angel and of
Hostage, which has already been bought for Bruce Willis and MGM; Crais is writing the screenplays for both films
.