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People of the Big Voice

Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1942

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1 of 1 copy available
1 of 1 copy available

People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who "sat for the photographer" are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, "A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives."

The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.
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    • Library Journal

      December 1, 2011

      Through the prescient stewardship of small-town librarian Frances R. Perry, a neglected collection of glass-plate negatives from the Black River Falls portrait studio of Charles Van Schaick was preserved and now resides safely at the Wisconsin Historical Society. The collection is an eloquent portrait of the Ho-Chunk (Winnebago) tribe of Wisconsin, which is considered their settled homeland after decades of forced migrations in the 19th century. This volume presents 330 (of the 5000-plus images in the collection) duotone photographs taken over six decades. Three essays by Jones (photography, Univ. of Wisconsin-Madison) and other scholars introduce the images and provide historical context. The meticulous documentation process included eliciting identifications from the tribal elders. Each photograph is captioned with the English and Ho-Chunk name of the subjects along with notes on special dress. Although taken in a studio with backdrops and props, the photographs are rich with cultural information, particularly as they depict clothing and material culture of the period. VERDICT While Van Schaick was a commercial photographer, and the Ho-Chunk paying customers, the images are captivating, respectful, and dignified.--Nancy B. Turner, Syracuse Univ. Lib., NY

      Copyright 2011 Library Journal, LLC Used with permission.

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