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Private Sector

Audiobook
0 of 1 copy available
Wait time: About 2 weeks
0 of 1 copy available
Wait time: About 2 weeks
Wherever Sean Drummond goes, it seems that the JAG officer leaves a trail of political fallout in his wake. So when his superiors get an opportunity to loan him to a prestigious law firm, they jump on it, hoping he'll soak up the nuances of civilian lawyering. But almost immediately, dark clouds appear when Sean's predecessor in the loan-out program is murdered. Then Sean begins to sense something amiss with the firm's biggest client, a telecom behemoth with large defense contracts. Now, he must survive in D.C.'s buttoned-down lawyer culture long enough to stop the killer, and long enough to discover why his firm and its top client are willing to kill anyone who gets in their way.
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    • AudioFile Magazine
      Brian Haig, usually a master of the mystery novel, stumbles with his execution of this rambling story. A young Army JAG officer is sent to a prestigious Washington, D.C, law firm to broaden his horizons from criminal law to corporate law. His first day on the job convinces him that lazy civilians have little to offer him. When a colleague is murdered, he sets out to find the killer--against the wishes of almost everyone. Reader John Rubenstein does the best he can with the one-dimensional characters he attempts to bring to life but ends up disappointing readers almost as much as the story's flat, abrupt ending. Only Michael Emerson's voicing of the thoughts of the killer is eerily engaging, but it's too little too late. J.L.C. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      August 18, 2003
      Haig's wisecracking J.A.G. attorney Sean Drummond returns for his fourth caper in three years (after January 2003's The Kingmaker). Unpopular with his military superiors because of his sharp tongue and his tendency to attract trouble, Major Drummond finds himself loaned out to a private law firm. Culper, Hutch, and Westin represents some of the District of Columbia's most staid, old-line institutions, and Drummond begins ruffling feathers from the moment he arrives, though he does prove surprisingly popular with some clients. Meanwhile, a serial killer is taking out attractive young professional women. The first victim is Lisa Morrow, Drummond's sidekick in Haig's debut thriller, Secret Sanction, and also a military lawyer working for Culper, Hutch, and Westin. In fact, Lisa's on her way to meet Drummond when she's murdered. Chapters from the obsessive killer's dark perspective alternate with Drummond's cheeky first-person narration. Not happy with police progress on the case, Lisa's sister Janet, also a lawyer and a dark-haired beauty, steps forward to help Drummond investigate, even as victims pile up. Both Janet and Drummond prove to be entertaining thorns in the side of crusty police detective Spinelli, the officer in charge of the murder investigation. Haig introduces related subplots featuring corporate greed and criminality, but they don't have the visceral chills or the sexiness of the serial killer story line. In the end, it's all about Drummond; though the novel is overlong, the hero's sharp and devilish style should keep reader interest high until the surprising conclusion.

    • AudioFile Magazine
      Brian Haig's legal thriller offers a murder mystery with plenty of twists and turns and an irreverent, endearing leading character--JAG lawyer Sean Drummond. Scott Brick's flawless reading transforms a superb story into one of the best recorded books in years. Brick nails Drummond's irony, wit, and low-key intelligence. What's more, he gives virtually every character a unique personality, no easy feat in a book with so many lawyers, judges, and federal agents, each trying to figure out who is brutally murdering an array of seemingly unconnected people. Private Sector is one of those rare novels that starts out strong and gets even better. Brick is truly one of the best readers. His fans, as well as Haig's, shouldn't miss this book. D.J.S. Winner of AudioFile Earphones Award (c) AudioFile 2004, Portland, Maine

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