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The Lesser Dead

ebook
0 of 1 copy available
Wait time: About 6 weeks
0 of 1 copy available
Wait time: About 6 weeks
WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR
“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...

The secret is, vampires are real and I am one.
The secret is, I’m stealing from you what is most truly yours and I’m not sorry...

New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.
The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.
Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.
And neither are the rest of us.
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    • Publisher's Weekly

      Starred review from August 11, 2014
      Buehlman (The Necromancer’s House) offers up a colony of fierce, brazenly unscrupulous vampires who reclaim the genre from angsty goths and return it to its fearsome and ferocious origins. Joey Peacock, the caustic, pragmatic, perennially horny 14-year-old at the heart of the story, drawls a recap of the 45 years since his parents’ maid, Margaret, turned him into a vampire. Then he settles into the vibrantly depicted year of 1978, in which an astoundingly creepy cadre of children threaten his vampire colony in the subterranean warrens of New York City’s subway system. The pretty little baby vamps are vicious and very hungry, so things take a spectacularly nasty turn before the adventures in undead babysitting begin to wear. The sharply witty tone and graphic style mine the darker facets of vampirism, while Joey’s complex relationship with Margaret, and the poignant, prickly camaraderie he shares with Cvetko, an older vampire, add heft and humanity to Buehlman’s distinctive, twisty entry into a crowded genre.

    • Library Journal

      September 15, 2014

      Turned at the age of 14, vampire Joey Peacock uses his innocent looks to ensnare victims in 1978 New York City. He is part of an underground community of the undead who are roused to action when a new set of players enters their territory in the form of child vampires. They laugh and play and want Joey to join them, but these young people are dangerous to both humans and vampires alike. Although it isn't clear why this novel is set in 1978, the details of a dirtier, graffiti-splattered New York are vivid--we even get a visit to Studio 54! VERDICT Buehlman (Those Across the River; The Necromancer's House) is in general a lovely stylist and probably intends his direct addresses to the reader (such as many "more on that later" interruptions) to be conversational; they are instead distracting. But once the action accelerates as the tunnel dwellers must decide what to do about their dangerous child rivals, readers won't be able to put the book down.

      Copyright 2014 Library Journal, LLC Used with permission.

    • Booklist

      October 15, 2014
      Buehlman (Those across the River, 2011, and The Necromancer's House, 2013) entertains readers with another foray into the supernatural in this fast-paced vampire tale bursting with bloody violence and colorful characters. Joey Peacock tells his story of being a young, virile vampire in 1978 New York City. It's a pretty fine gig: he easily charms humans for feeding, has some posh digs in subway stations, and he understands his place under the colony leader Margaret McMannis, the vampire who turned him. He even has a friend in romantic, old-school Cvetko, who writes his potential victims affectionate letters and chastises Peacock for watching too much television. Things go awry when Peacock discovers a group of feral, insatiable child vampires whose appetite for blood threatens to bring unwanted attention to his clan. Buehlman adds '70s ambience to the narrative with pop-culture references to Soap!, Star Wars, and Studio 54, among others; and his ability to combine humor with astonishing and vicious action sequences will appeal to the most ardent of horror fans.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)

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