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Twice Told

Original Stories Inspired by Original Artwork

ebook
1 of 1 copy available
1 of 1 copy available
A girl dresses in a bunny costume to earn her dad’s approval…. A boy bakes a cake and takes out his dad in the same afternoon…. These are just two of the offbeat and utterly captivating scenarios readers will find in this collection of stories inspired by narrative artwork. Nine charcoal drawings, each one hauntingly surreal, were the creative spur for eighteen different authors. Pairs of writers were sent the same image and asked to write a story to accompany it.  The results are fascinating: some of the couplings are strikingly similar; others couldn’t be more different, and all make terrific reading.  
 
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  • Reviews

    • School Library Journal

      April 1, 2006
      Gr 9 Up -This eclectic collection contains 18 original stories inspired by the artwork of Scott Hunt. The contributors, all YA authors, were given one of nine charcoal drawings and asked to write a story inspired by it. Pieces by two different authors are paired with each one, hence the -twice told - aspect of the title. The clever concept brings about a mixed bag of results with widely varying themes and degrees of literary success. Perhaps the best-executed stories are those by Neal Shusterman and David Lubar, which were both inspired by a painting entitled "Bear " and present amusing twists on human nature. Fans of Stephen King will appreciate William Sleator's -Chocolate Almond Torte, - a delightfully perverse tale based on a drawing of an ax lying next to a cake. A drawing entitled "Backyard", whose composition is strikingly similar to Andrew Wyeth's painting "Christina's World", inspired Ron Koertge's lovely story, -Just a Couple of Girls Talking Haiku, - in which friendship blossoms and wounds heal through poetry. Less successful are Marilyn Singer's -Word of the Day, - which is difficult to follow, and Adè le Geras's -Ruby, - which is more of a vignette than a fully developed story. Jaime Adoff's story poem -The God of St. James and Vine - is predictable and trite. This collection may inspire others to try writing stories based on art, and English teachers could have a great time with selected works. A -Notes from the Authors - section provides a glimpse into what the authors were thinking when they wrote their stories." -Cheri Dobbs, Detroit Country Day Middle School, Beverly Hills, MI"

      Copyright 2006 School Library Journal, LLC Used with permission.

    • Booklist

      Starred review from February 15, 2006
      Gr. 7-10. This is a refreshing departure from most thematic short story collections; the cohesive element here is a collection of nine intriguing charcoal drawings by artist Scott Hunt.\b \b0 Pairs of popular YA authors were given an illustration for inspiration. Sandwiching the drawings, the stories showcase very different responses to the art, and they cover a lot of thematic territory: racism, homosexuality, pedophilia, college, and family relationships. Some authors describe the picture in detail; others work it into their contribution in various creative ways. John Green's character, for example, buys his painting at a flea market; Ron Koertge's picture is a community mural; and Sarah Dessen's picture of a pudgy man in front of a small donut shop becomes the photo for the shop owner's new Web site. It's no surprise that M. T. Anderson and William Sleator penned the most disturbing tales; their picture shows a frosted cake and an ax on a kitchen table. Appended author profiles incorporate the writers' reactions to using art as inspiration. Connect this to Chris Van Allsburg's 1984 picture book " The Mysteries of Harris Burdick" or to Constance Morgenstern's " Waking Day" , reviewed on p.96. (Reprinted with permission of Booklist, copyright 2006, American Library Association.)

    • The Horn Book

      July 1, 2006
      These short stories from eighteen acclaimed YA authors (including Ron Koertge, M. T. Anderson, and Jan Marino) present dual interpretations of Hunt's original charcoal drawings, showcasing authors' distinct voices and effectively sampling a variety of styles. Questions of visual literacy, symbolism, and the contextual construction of meaning are quietly provocative without encroaching on the up-front entertainment of good storytelling.

      (Copyright 2006 by The Horn Book, Incorporated, Boston. All rights reserved.)

Formats

  • Kindle Book
  • OverDrive Read
  • EPUB ebook

Languages

  • English

Levels

  • ATOS Level:4.5
  • Lexile® Measure:770
  • Interest Level:9-12(UG)
  • Text Difficulty:3-4

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